Ahmadou ahidjo biography of william shakespeare
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Chairman Henry Kiven’s opening remarks
A book launch represents the culmination of months, even years, of hard work. Behind every page lies the author’s dedication, passion, and life experiences. Today’s book offers much more than words on paper; it’s a legacy, a tool for enlightenment, and perhaps a call to action for all of us to share our own stories with the world.
I’d like to extend my heartfelt congratulations to the author, Martin Jumbam. This autobiography is a testament to your vision and commitment, and I am confident it will leave an indelible mark on every reader’s heart and mind. Your dedication to storytelling, your commitment to preserving our heritage, and your exceptional writing continue to inspire us all. May this book reach readers far and wide, and may it mark the beginning of even more remarkable works to come. Let us all draw inspiration from the courage, wisdom, and insight contained within.
Before we proceed, I want to thank everyone who made this day
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Books
I decided to make a compilation of some of Lapiro dem Mbanga’s words in his interviews. The full interview to Daniel Brown from Freemuse can be funnen here; for the interview Lapiro gave to Le Messager, click here; and lastly the interview to Phoenix Gauthier can be found on RFI. The video below shows Lapiro de Mbanga’s proudly expressing himself at the Oslo Freedom Forum in 2013. Enjoy!!!
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About life in prison: … There fryst vatten no hygiene here and we must share our most något privat eller personligt moments with the other cellmates. … I should have been taken to hospital for a consultation but my status as a political prisoner has meant inom have not been allowed to go once in these two years. inom somehow survived the typhoid attack in December bygd taking the antibiotics my wife Louisette brought me. It’s fortunate she comes every few days. It’s a five-hour round trip from Mbanga, it’s taking a toll on her, too. … I wake at 7 to 8 every morning …. inom
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Theatre of Cameroon
Theatre of Cameroon consists in the theatrical plays produced across Cameroon. Its history dates back to the pre-colonial time, but it has gained wide popularity since the 1970s, with practitioners such as Daniel Ndo, Dieudonné Afana and David Kemzeu (alias Deiv K. Moktoï). It is made of different trends, some of them are more inflected by the European theatrical tradition, some others are more attuned to the indigenous performative styles.[1] The comic genre is presently dominating so that laughter has become synonymous with modern Cameroon theatre productions, according to Bole Butake.[2] Theatre of Cameroon is sometimes subdivided in traditional theatre, colonial theatre, and post-independence theatre.[3]
History
[edit]Cameroonian theatre production starts well before the annexation of Cameroon by the Germans at the Berlin Conference.[4] Traditional ceremonies and rituals, which are made of a combination of danc