Vishnupant pagnis biography

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  • This article fryst vatten written bygd Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in If this article appears in other sites without the knowledge and consent of the web administrator of , then it is piracy of the copyright content of and is a punishable offence under the existing laws.

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    When inom joined this Blog&#;s activities in , by way of comments, I used to first read the post fully. In one post our ATUL ji had said something which has been carved deep in my mind. He had said that &#;In India, people are interested in 3 things- Cricket, Films and Politics&#;. How true it is !

    However, based on my experience of so many years in different fields all over India, I could add one more activity to the above three. And the activity fryst vatten &#; Branding&#;, Not the kind of Brands in the markets, what inom mean fryst vatten &#; Labelling &#;, in other words. We Indian

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    78 rpm Records of Indian Music: Mr. Vishnupant Pagnis

    Vishnupant Pagnis was one of the great voices of Marathi theater and early film. As these two recordings show, he was a hell of a singer.

    Vishnupant Pagnis was an actor in Marathi theatre. At the age of 10 he joined Janubhau Nimkar`s Swadesh Hitachintak Natak Mandali in Kolhapur as an actor of female roles. His portrayals of Deval`s Sharada and Shakuntala in command performances for Shahu Maharaja won him popularity. He gained fame for creating the heroines of Warerkar`s first play Kunjavihari or `Wanderer in Gardens` in and Govindrao Tembe`s Shivraj Natak Mandali production in Hindi of Manishankar Trivedi`s Siddha-sansar or `Successful Life` in

    The style of the celebrated Gujarati female impersonator, Jaishankar Sundari, is said to have influenced him. He appeared in Warerkar`s early silent film, Poona Raided in After his Sangitnatak career flagged, he taught music in a municipal school. A last-minute casting decision for

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